The Reviewing Stand
Our Sinatra - An Evening of Songs That Never Get Old
There is something special about spending an evening surrounded by the music of Frank Sinatra, and Our Sinatra at the Marjorie S. Deane Little Theater makes it a thoroughly enjoyable experience.
The production reunites original co-creators and performers Eric Comstock, Christopher Gines, and Hilary Kole, bringing together three talented artists who clearly have a deep appreciation for this wonderful musical legacy.
What I particularly enjoyed is that the show doesn't try to imitate Sinatra or turn the evening into an impersonation. Instead, it celebrates his music in a way that feels fresh, personal, and full of character. Each performer brings something of their own to the songs, making the familiar melodies feel special all over again.
The selection of songs is delightful, moving effortlessly between the upbeat numbers that make you want to tap your feet and the beautiful romantic ballads that remind us why Sinatra's music has touched so many generations.
There is also something lovely about the intimate atmosphere of the theater. It creates a sense of closeness between the performers and the audience, making the experience feel less like a formal concert and more like an evening spent enjoying wonderful music with friends.
Our Sinatra is a charming, entertaining, and feel-good evening, and a real treat for anyone who loves Sinatra and the Great American Songbook.
Sometimes, all you need is great music, talented performers, and a little Sinatra to make an evening memorable!
Going Bacharach: The Songs of an Icon - A Wonderful Musical Tribute
What a delightful evening of music! Going Bacharach: The Songs of an Icon, at the Marjorie S. Deane Little Theater, is a wonderful celebration of the unforgettable music of Burt Bacharach.
From the first notes, the show takes you on a musical journey through a collection of songs that have touched generations. Bacharach had a remarkable gift for creating melodies that stay with you, and this production is a lovely reminder of just how special his music continues to be.
The three performers, Hilary Kole, Ta-Tynisa Wilson, and John Pagano, each bring their own personality and style to the stage. Their voices blend beautifully, and their individual interpretations give these familiar songs new life. There is a wonderful variety in their performances, capturing both the tenderness and the playful spirit that made Bacharach's music so distinctive.
Adrian Galante also deserves special recognition. His beautiful piano playing, clarinet, and musical direction add another dimension to the evening. His musicianship helps bring the arrangements together and creates a wonderful musical backdrop for the singers.
One of the pleasures of the show is rediscovering songs you may not have heard in years and realizing how many wonderful melodies Burt Bacharach gave us. The music brings back memories while remaining just as enjoyable and appealing today.
The intimate setting of the Marjorie S. Deane Little Theater makes the experience even more enjoyable, allowing the audience to feel close to the performers and the music.
Going Bacharach is a heartfelt celebration of a remarkable musical legacy, filled with beautiful melodies, talented performers, and plenty of nostalgia.
A lovely evening of music that reminds us why these songs will always have a special place in our hearts. Highly recommended!
The Georgian National Ballet Sukhishvili at Carnegie Hall
January 17, 2026
Attending the Georgian National Ballet Sukhishvili at Carnegie Hall was an unforgettable experience. From the moment the troupe took the stage, the energy was electric and the precision of their performance was nothing short of breathtaking.
The dancers displayed extraordinary athleticism and grace, moving with such power and harmony that every leap and spin felt alive. The choreography seamlessly blended traditional Georgian folk dance with a theatrical flair that captivated the audience from start to finish. Highlights included the rapid-fire footwork and spirited ensemble pieces, which drew genuine applause and cheers throughout the evening.
The costumes were vibrant and beautifully detailed, adding rich color and cultural depth that enhanced the visual spectacle. Accompanied by live music that was both dynamic and evocative, the performance felt like a celebration of heritage and artistry.
Overall, Sukhishvili’s performance at Carnegie Hall was a stunning showcase of talent and tradition. It’s a must-see for anyone who appreciates world-class dance and the powerful storytelling that comes through in every movement.
Jay Smith
Global/Black Media
Make a Contribution
Visit Our Other Sites
New Millennium Oral History Archives
Next Generation Meets the Jazz Masters
The Online Museum of Catholic Faith, Culture, and Art
The Museum of Business, Commerce and Wealth
410 East 64th Street
Office Suite 43
New York, NY 10065
J. Bailey Morgan
Producing Artistic Director and Global Director of Institutional Advancement for Global Theater, Documentary and Arts Audiences
Principal Oral Historian /New Millennium Oral History Archives
Chief Marketing Director/Global Brand Ambassadors
Wikipedia- AfroCrowd Global Correspondent
Executive Director The Charles C. T. Bailey and Gladys M. Bailey Good Samaritan and Educational Brain Trust
Comedy Historian Specializing in The Golden Age of Comedy from 1950 To 1975.
Ph 646-944-3412
Ph 917-378-0549
Ph 212-688-7421
Abijon •
Accra •
Addis Ababa •
Amsterdam •
Asmara •
Athens •
Beirut •
Berlin •
Brussels •
Budapest •
Buenos Aires •
Cairo •
Casablanca •
Chicago •
Christ Church •
Colombo •
Copenhagen •
Dakar •
Dar es Salaam •
Florence •
Harare •
Havana •
Ho Chi Minh City •
Istanbul •
Jerusalem •
Johannesburg •
Kingston •
Kolkata •
Krakow •
Lagos •
London •
Madrid •
Mexico City •
Montreal •
Nairobi •
New Delhi •
New Orleans •
New York City •
Paris •
Port Au Prince •
Prague •
Rio de Janeiro •
Rome •
San Francisco •
Santo Domingo •
Stockholm •
Sydney •
Venice •
Vienna •
Washington, DC
© 2026 The New Millennium Oral History Archives. All rights reserved.